Money Monster is a curiously engaging, but heavily flawed, thriller.

A Bigger Splash is long-form storytelling without a sense of time.

Green Room is every bit as entertaining as a band that knows only one song.

Demolition is like watching a well-crafted quilt being slowly but inexorably pulled apart at the seams.

The real collateral damage for Eye in the Sky is the writing.

Knight of Cups will coerce you into contemplating the benefits of seppuku.

Deadpool lavishly lampoons everything that we thought we knew about the genre while we lap up every drop.

How to Be Single is a handful of very loosely connected subplots of extremely dubious distinction.

Hail, Caesar! feels like a potluck dinner of random recipes quickly tossed into one big salad bowl.

The Choice is every bit as banal as Wes Anderson’s film’s are quirky.

45 Years feels ripped from your own familial experiences.

The possibilities are endless, thought-provoking and often hilarious.