Luhrmann’s technique had my toes tapping, but left my intrigue lacking.

An errant large asteroid wouldn’t be enough to wipe away this mess.

The power it holds over you is that of a master hypnotist toying with a fully pliant subject.

The style of Men is undeniable and will either immediately appeal to or put off its audience.

Downton Abbey: A New Era is sappier than a forest full of maples.

Everything Everywhere All At Once is The Matrix for a new generation.

The Outfit squeezes every ounce of ambience from its seemingly limited surroundings.

Dune is a bit lengthy, hangs on shots and scenes too long and doesn’t do a great job explaining things, yet I loved every last second of it.

The Rescue lets you experience the edges of your empathy like never before.

A flawless deconstruction of the unholy trinity of truth, honor and avarice.

Lamb is a folktale that starts off wrong and revels in its decision to stay that way.

Sooner or later, nearly all James Bond fans gets asked to identify their favorite Bond actor. For many, it’s the actor playing the character in the first Bond movie that they saw. When I picture James Bond, I see Roger Moore. My first Bond experience was at a drive-in theater in 1973 to see Live […]