Money Monster is a curiously engaging, but heavily flawed, thriller.

A Bigger Splash is long-form storytelling without a sense of time.

Demolition is like watching a well-crafted quilt being slowly but inexorably pulled apart at the seams.

The real collateral damage for Eye in the Sky is the writing.

Knight of Cups will coerce you into contemplating the benefits of seppuku.

10 Cloverfield Lane is the perfect destination address for a movie night off the grid.

Hail, Caesar! feels like a potluck dinner of random recipes quickly tossed into one big salad bowl.

The Choice is every bit as banal as Wes Anderson’s film’s are quirky.

45 Years feels ripped from your own familial experiences.

The Revenant is an epic journey of tenacity, willpower and determination beyond imagination.

A supersized Quentin Tarantino experience that would taste just as good in a smaller portion.

Quentin Tarantino’s well-practiced aim misses the heart but still hits the target.