The title refers to a singular fluid, but there are actually a great many other substances at play in Coralie Fargeat‘s feminist body-horror freak-out, almost all of them visceral to the point of discomfort. There’s the opening image of the film, a single uncooked egg, freed from its shell, and lying in a pool of […]

Tuesday manages to poke and prod at the fragile tendrils of a topic laden with countless taboos and cultural beliefs.

Barbie is akin to Joe Camel espousing the virtues of a healthy lifestyle.

The Little Mermaid is a surprising, heartfelt father-daughter tearjerker.

The adventure and adrenaline are the stars, and here, they’re as bright as anything else put out this year.

Doctor Strange in the Multiverse of Madness delivers two hours of fun with plenty for both Marvel and Sam Raimi fans to celebrate.

Fantastic Beasts: The Secrets of Dumbledore substitutes politics and tyrannical behavior for the fun creatures and captivating missions to transform this experience into a double bore.

Spider-Man: No Way Home introduces a more mature Peter Parker as he deals with the consequences of his actions as Spider-Man.

Shang-Chi and the Legend of the Ten Rings introduces new characters, offers them a chance to save the world and prepares them for what will come along down the line.

The Green Knight is visual masturbation masquerading as cinematic entertainment.

Not even the star power of Gal Gadot can save Wonder Woman 1984 from its many WWTF moments.

Does little to help us rekindle the original film’s energy or, I fear, its success.