The ride is as shaky as the dwarfs’ rickety mine cars.

Bong Joon Ho is like an avant garde chef who’s opened a pop up kitchen in some strange part of the city you don’t know very well. You don’t know what to expect, but when you try the food, it’s a brilliant combination of disparate ingredients you never would have thought to put together

Twisters is a bigger mess than the towns it depicts after a direct hit.

Dune: Part Two seems intent on convincing us that explosions are the same thing as plot.

Barbie is akin to Joe Camel espousing the virtues of a healthy lifestyle.

This installment delivers more chuckles than all six past films combined.

Serves as a raucously rousing send-off for both its iconic character and main star.

The Little Mermaid is a surprising, heartfelt father-daughter tearjerker.

Vol. 3 is overly dark, overly busy and often overly dull.

The adventure and adrenaline are the stars, and here, they’re as bright as anything else put out this year.

Lightyear mixes emotions from Up and physics from Interstellar for a disappointing animated retcon of the beloved titular character.

Jurassic World Dominion starts off at the pace of a lumbering Stegosaurus before finally picking up speed to Velociraptor levels later on.