The title refers to a singular fluid, but there are actually a great many other substances at play in Coralie Fargeat‘s feminist body-horror freak-out, almost all of them visceral to the point of discomfort. There’s the opening image of the film, a single uncooked egg, freed from its shell, and lying in a pool of […]
M3GAN escalates into sentient robot girl gone wild.
The world hasn’t seen this kind of dedication to organization since the Nazis stormed into Poland.
Halloween Ends disappoints on many levels with its boring pace and questionable approach as the equivalent of that house on October 31 that gives out healthy snacks instead of full-size candy bars.
The Black Phone perfectly mixes ghosts, survival, revenge and a memorable maniac for a horror flick that builds to a thrilling climax.
Crimes of the Future didn’t captivate me with its story despite the fascinating, gruesome effects and made me wish for a better experience in the present.
Men tries too hard to mix a message and symbolism with a creative concept and ends up neutering itself.
The style of Men is undeniable and will either immediately appeal to or put off its audience.
Firestarter feels modern and gritty in its approach and still provides the same thrills that you would expect from one of Stephen King’s creations.
Doctor Strange in the Multiverse of Madness delivers two hours of fun with plenty for both Marvel and Sam Raimi fans to celebrate.
Scream entertains by not straying too far from the same old formula, but this retread didn’t wow or surprise me in the least.
Halloween Kills suffers from sloppy writing and a terrible sequence that ultimately gut the movie instead of handing out a treat.