There are a great number of mysteries in Rian Johnson’s third leg of his Knives Out trilogy, many of which answered save one — at least expressly: Why does the lighting change so dramatically in many of the film’s most directly parochial scenes?

Cars 3 should be firing on all cylinders instead of crashing hard into the wall.

I’m not at all sure who Quentin Tarantino targets his movies to but, with growing regularity, I’m clearly not one of his targets. His latest effort, Django Unchained, had its release delayed in the aftermath of the Sandy Hook tragedy. After seeing it, I now understand why. I just wish it had been delayed to […]