In writer/director Christopher Nolan’s conceit, this idea of openness and trust was betrayed by Odysseus (Matt Damon), in tricking the Trojans to accept the “gift” of a giant wooden horse, secretly filled to the rim with Greek warriors, all of them furious and miserable after spending the better part of a decade away from home in order to win the war for their king, Agamemnon (Benny Safdie). After the appreciative Trojans dragged this giant horse into their city as a symbol of peace with the Greeks, Odysseus and his men snuck out of the structure in the middle of the night, and opened the previously impenetrable Trojan gates in order to let the rest of their army inside, sacking the place in a fury of raping and pillaging. Odysseus won the war, such as it was, but, as Nolan has it, lost a good bit of humanity in the process. 

Many will compare this film to 2000’s Gladiator, and it’s an apt comparison, for better and worse.

The world hasn’t seen this kind of dedication to organization since the Nazis stormed into Poland.

You’ve heard before that you should never judge a book by its cover. I just learned this week that I should also never judge a stoner by his long hair and flannel. I wasn’t sure what to expect with American Ultra. I only knew that it was about a guy who was lazily coasting through […]

A frustrated top chef loses his way before a food truck leads him back in Chef. Carl Casper (Jon Favreau) sweats every detail as the head of a top kitchen’s staff in a very popular Los Angeles restaurant. The owner is a very successful but risk-averse entrepreneur whom we only know as Riva (Dustin Hoffman). They […]